Rizal Poems Essay Example

Rizal Poems Paper You offer me currently to strike the lyre. That hard of hearing and unable to speak individual and torn for such a long time has lain: And yet I can non wake the strain. Nor will the Muse one note rouse! Icily it shakes in accenta critical. As though my mind itself to distorting. Also, when its sound appears to be however to excursion A joke at its ain low plaint ; So in dismal confinement confined. My mind can neither experience nor sing. There was a period ah. t is unreasonably evident †But that clasp some time in the past has past †When upon me the Muse had thrown Indulgent grinning and friendship’s due ; But of that age now all exorbitantly scarcely any The thoughts that with me yet will remain ; As from the long periods of gay dramatization There wait on enigmatic notes. Also, in our minds the memory buoys Of minstrelsy and music gay. A works I am. that scarcely developed. Was removed from its Eastern bed. Where all around smell is shed. What's more, life however as a fantasy is known ; The land that I can name my ain. By me dismissed ne’er to be. Where trilling flying creatures their vocal educated me. Also, Cascadess with their interminable blast. And up and down the apreading shore The murmur of the sounding ocean. While yet in childhood’s glad twenty-four hours. I learned upon its Sun to grin. What's more, in my chest at that spot appears the piece Huming volcanic flames to play. A poet I was. my desire alway To name upon the brief air current. With all the power of verse and head: Go Forth. also, spread around its fire From zone to area with happy recognition. What's more, Earth to paradise together tie! We will compose a custom paper test on Rizal Poems explicitly for you for just $16.38 $13.9/page Request now We will compose a custom paper test on Rizal Poems explicitly for you FOR ONLY $16.38 $13.9/page Recruit Writer We will compose a custom article test on Rizal Poems explicitly for you FOR ONLY $16.38 $13.9/page Recruit Writer Be that as it may, it I left. what's more, presently no more †Like a tree that is split and evaporated †My natal Gods bring the resonation away from vocals that in past occasions they bore ; Wide oceans I cross’d to remote shore. With any desire for change and other fate ; My imprudence waa clarified unnecessarily delinquently. For in the topographic purpose of good I looked for The oceans reveal’d unto me nothing. Yet, made death’s apparition on me pause. All these affectionate figments that were mine. Upset love. all inclination. all emprise. Were left underneath the sprightly skies. Which o’er that colorful part brilliance ; So press no more that petition of thine. For vocals of affection from out a chest That without blinking liea a thing separated ; Since now with tortur’d mind I scramble Unresting o’er the desert squander. Also, dead gone is all the craftsmanship. To my Muse Summoned never again is the Muse. The lyre is out of day of the month ; The writers it no longer use. Also, youth its motivation presently permeates With other signifier and region. In the event that today our dreams nothing Of verse would at present require. Helicon’s slope stays undesired ; And without mindfulness we however inquire. Why the java is non brought. In the topographic purpose of thought earnest That our Black Marias may understanding. We should prehend a pen of steel. What's more, with verse and line awful Flinging abroad a joke and joke. Dream. that in the days of old propelled me. Also, with vocals of affection hast terminated me ; Go thou presently to dull rest. For now in ignoble composition I should pick up the gold that recruited me. Presently should I bite over profound. Think. what's more, fight on ; E’en here and there I should cry ; For he who love would keep up Great harming has experienced. Fled are the yearss of effortlessness. The yearss of Love’s delectation ; When blossoms despite everything would pleasure And provide for suffering spirits end From harming and sorrow’s curse. Individually they have passed on. All I cherished and moved among ; Dead or marriedâ€from me gone. For all I place my chest upon By destiny unfriendly are irritated. Go 1000. unnecessarily. O Muse. leave. Different parts more attractive find ; For my property however offers workmanship For the shrub. ironss that predicament. For a sanctuary. penitentiaries dazzle. Be that as it may, before thou leavest me. speak: State me with thy voice glorious. Thou couldst ever from me look for A vocal of distress for the feeble. Resistance to the tyrant’s offense. The Song of the Traveler Like to a foliage that is fallen and shriveled. Hurled by the tempest from post unto shaft ; Therefore wanders the pioneer abroad without goal. Meanders without affection. without state or mind. Following precariously temperamental karma. Fortune which e en as he gets a handle on at it escapes ; Vain however the expectations that his yearning is looking for. However does the traveler set out on the oceans Ever induced by the unseeable force. Bound to move from the East toward the West ; Oft he recalls the essences of adored 1s. Dreams of the twenty-four hours when he. exorbitantly. was at leftover portion. Opportunity may designate him a grave on the desert. Award him a finishing up shelter of harmony ; Soon by the universe and his state overlooked. God rest his mind when his rovings stop! Much of the time the lamenting pioneer is begrudged. Orbiting the Earth like an ocean gull above ; Little. ok. little they comprehend what a nothingness Saddens his mind by the nonattendance of affection. Home may the traveler return in the great beyond. Back to his cherished 1s his footfalls he twists ; Naught will he find however the day off the remnants. Ashs of affection and the grave of his companions. Explorer. begone! Nor return more existence in the wake of death. More bizarre thou workmanship in the place where there is thy birth ; Others may sing of their adoration while joying. Thou one time again should roll o’er the Earth. Pioneer. begone! Nor return more the hereafter. Dry are the cryings that a piece for thee ran ; Pilgrim. begone! What's more, cover thine distress. Uproarious chuckles the universe at the distresses of grown-up male. The Song of Maria Clara Sweet are the hours in one’s local land. Where everything is dearest the sunbeams favor ; Life-giving breezes clear the strand. What's more, expire is soften’ nutrient D by love’s touch. Warm busss play on her mother’s lips. On her affectionate. stamp chest awakening ; When unit of ammo her cervix the delicate arm artificial pass And brilliant eyes grinning. all affection sharing. Sweet is perish for one’s local land. Where everything is adored the Sun bars favor ; Dead is the breeze that clears the strand. Without a female parent. place. or then again love’s touch.

Lab#2 concrete mix design and compression tests Lab Report

the bear :: essays research papers fc

Sythesis II Research Paper Rough Draft title      In â€Å"The Bear† by William Faulkner, there are a few unique characters and mentalities that become an integral factor at different occasions in the story. The story is told from the point of view of Isaac McCaslin, the kid of the story and one of the primary characters also, and numerous pundits feel this was â€Å"probably a projection of Faulkner’s own young self†(Monarch Notes 5). Isaac was of the noble class of individuals who were a piece of the South, and who additionally had a huge impact of the accounts that Faulkner composed. Another class of individuals that were a predictable piece of Faulkner’s short stories were the poor-whites, for example, the Snopes family in â€Å"Barn Burning.† Abner Snopes is a man who appears to accuse everybody except himself for his issues. Being a Civil War veteren from the Confederate perspective, he was angry about the War and how the Southerners were dealt with, however apparently he broug ht his specific condition upon himself. During the War, the main reliability was to himself and he remained that way Another class of individuals that are a critical piece of Faulkner short stories are the non-whites which incorporate the Negro, the Indian, and any blend of the various races found in the South. Abner Snopes gave no respect or regard to the â€Å"nigger†(155), who was the de Spain worker and concierge, when the Snopeses came to declare their appearance for the tenant farmer work, yet murmured â€Å"get out of my way, nigger.† Sam Waters increased more thoughtfulness and regard than that, however he was as yet a blended blood in a well off, white world. He was Works Cited Faulkner, William. â€Å"The Bear.† Big Woods New York: Random House, 1955. 11-97. Faulkner, William. â€Å"Barn Burning.† Short Story Masterpieces Ed. Robert Penn Warren and Albert Erskine. New York: Dell, 1954. 148-68. â€Å"Works of William Faulkner: Introduction and Bibliographical Scetch(sic).

Dietary Supplements Report Essay Example for Free

Dietary Supplements Report Essay Dietary enhancements are items planned for ingestion as enhancements to the eating routine. Dietary enhancements can have nutrients, herbs, chemicals, separates, plant substances, amino acids, botanicals, and concentrates. Enhancements are valuable to the body since they can upgrade the supplements in nourishments, help in weight reduction, give vitality, fix ailments, advance wellbeing, and secure against illnesses. On the off chance that an individual doesn't devour enough supplements as a result of an infection or dietary patterns dietary enhancements are incredibly advantageous. There are sure gatherings that advantage most from dietary enhancements; pregnant ladies, veggie lovers, health food nuts, and the old. An expansion of folic corrosive and iron is expected to lessen the danger of deformities and forestall pallor. Veggie lovers should take nutrient B12 on the grounds that they don't eat creature nourishments which contain more nutrient B12 than some other food source. On the off chance that an individual eats under 1200 calories when on a tight eating routine, they won't get the measure of supplements required. On the off chance that weight watchers take a multi-nutrient they will meet the every day suggestions for supplements. Anybody beyond 50 years old should take calcium, Vitamin D, and B12 to keep up a solid life. Calcium and nutrient D will help keep the bones solid, lower circulatory strain, and forestall sicknesses like osteoporosis and various sclerosis. Nutrient B12 will advance heart wellbeing and battle weakness. There are numerous dangers when taking dietary enhancements. Dietary enhancements are not managed or tried by the U. S. Food and Drug Administration (FDA) for reactions before they are accessible to shoppers (â€Å"The thin on dietary supplements,† 2008). Dietary enhancements are likewise unsafe in light of the fact that they contain synthetic substances that can be destructive. A few enhancements contain superfluous hormones and catalysts. Dietary enhancements may cause meds, over-the-counter or endorsed, to work diversely or not in any manner. When taking any enhancement it is essential to peruse the name and ask a doctor before taking the enhancement to lessen risks of poisonousness. Numerous individuals think dietary enhancements give all the supplements expected to help a sound eating regimen; they are just piece of an ealthy diet (Grosvenor, 2006). As expressed before, the legislature doesn't manage dietary enhancements as they do different nourishments and medications (U. S. Food and Drug Administration: Dietary Supplements, 2013). In 1994 the legislature made the Dietary Supplement Health and Education Act of 1994 (DSHEA). The demonstration states makers are answerable for guaranteeing the item is protected before it is put av ailable. On the off chance that the item is dangerous after it is available the FDA is liable for making a move to address the issue. The FDA is liable for giving item data and writing. It is the manufacturer’s obligation to guarantee all fixings are recorded on the names of the item and the data is valid. The producer needs to submit reports for any enhancement that has any sort of negative response. The FDA actualized a Dietary Supplement Current Good Manufacturing Practice (CGMPs) that all work force in the organization must follow to guarantee quality control. Enhancements are required by individuals with hazardous maladies like kidney disappointment. Individuals that have kidney disappointment, contingent upon the sort of dialysis they use, peritoneal or hemodialysis. Peritoneal dialysis utilizes assimilation and dissemination through the peritoneal pit to expel waste and liquid; this procedure causes an absence of potassium, magnesium, and phosphorus. Hemodialysis utilizes a fake kidney to expel squanders and liquids from the blood; this procedure causes an absence of phosphorus, iron, and epogen. The basic bond between the two sorts of dialysis is the absence of phosphorus. Phosphorus supplements are utilized to reinforce the bones of dialysis patients, forestall renal bone malady, and keep the heart sound. The portion changes from patient to understanding, contingent upon the food admission. In the event that the patient doesn't take the recommended portion they experience a wide range of impacts. In the event that a lot of the phosphorus supplement is ingested, tingling will happen. If insufficient phosphorus is ingested, shortcoming will happen and bones will start to get fragile making them break.

Shakespeare s Othello The Downfall Of The Moor Othello Essay Example For Students

Shakespeare s Othello : The Downfall Of The Moor Othello Essay William Shakespeare’s Othello follows the destruction of the Moor Othello and those related with him. Othello’s ensign, Iago, causes the destruction of Othello as compensation for not being picked as Othello’s lieutenant. Shakespeare makes Iago a puppeteer it could be said so he may control people around him without getting captured, up until his own end. Through the control of the individuals around him, and Othello’s feelings and instabilities, Iago figures out how to totally pulverize the lives of Othello, Desdemona, Roderigo, Emilia, and everybody influenced by the blameless passings. Shakespeare utilizes symbolism, lingual authority, and the rival to uncover the impacts of control and desire on affection, just as the significance of recognizing appearance versus reality. Iago can control Othello’s considerations and activities by utilizing Othello’s feelings and frailties against him. Iago legitimately assaults Othello’s skin shading when he reveals to Desdemona’s father, Brabantio, â€Å"Even now†¦an old dark slam/Is tupping your white ewe. Emerge, emerge! /†¦Or else the fallen angel will make a grandsire of you.† (I.i.97-100). Iago looks at Othello to an old dark smash and a villain while he thinks about Desdemona to a white ewe, featuring the racial contrasts between the couple. Despite the fact that Othello is the leader of the Venetian armed force, he is still now and again victimized for his brown complexion. Othello’s union with Desdemona is likewise influenced by this segregation in light of the fact that despite the fact that Othello is an upstanding resident and a decent patch, he is viewed as unfit to be hitched in view of his skin shading. Othello adds to the prejudice against him by accepting that Desdemona can't adore him since his skin isn't pale like hers or Cassio’s. Their marriage starts to endure in light of the fact that Othell. . at he finds in his brain, put there by Iago, be what he uses to choose what to do as opposed to standing by to really get Desdemona and Cassio taking part in an extramarital entanglements. The whole disaster could have been maintained a strategic distance from if Othello had not given Iago access to his brain, and in the event that he would have depended on what he had seen himself as opposed to depending on what Iago would let him know. Works CitedCohen, Derek. Man centric society And Jealousy In Othello And The Winter s Tale. Current Language Quarterly 48.3 (1987): 207. Scholastic Search Premier. Web. 11 Mar. 2016.Shakespeare, William. The Tragedy of Othello, the Moor of Venice. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square, 1993. Print.Lenson, Barry Kenneth Ruge. The Othello Response: Conquering Jealousy, Betrayal And Rage In Your Relationship (Book). Library Journal 128.19 (2003): 86. Scholastic Search Premier. Web. 11 Mar. 2016.

Altruja

Altruja In Munich we talked with Nicolas Reis, co-founder and CEO of Altruja, about how he started the company, how the current business model is working and how they are serving which customer segments, and what advice Nicolas can share with other entrepreneurs.Altruja is a subscription service helping Non-Profit Organization raise more donations online.Interviewer: Hi. Today we are in the wonderful and sunny Munich with Altruja and Nicolas. Nicolas, who are you and what do you do?Nicolas: Hi. First of all, welcome, it’s great to have you guys here in Munich. My name is Nicolas, I am one of the founders of Altruja, and we do online fundraising for non-profit organizations. That means we build a software that non-profit organizations, which are our clients, can integrate into their own websites to collect donations. So basically it is payment processing for non-profit organizations.Interviewer: When and why did you start the company?Nicolas: We started right about four years ago, in the Ma rch of 2010. And ‘why’ is a good question, actually I lived in the US, in Santiago, where I did my Masters, my MBA, and after my MBA I worked for a software company that did online registration for business events, sports events, etc. For example, the Los Angeles Marathon. One of the tools they had was a charity tool. So if you are running the LA Marathon, they would ask you, Hey, it’s great you’re in the marathon, why don’t you raise money for LA’s kids’ charity? And a lot of people were doing this. So when I was checking back and forth with my friends and I was looking at how this was done in the rest of the world, I saw that there was something similar in Australia, in England, but nothing in Central Europe. There was nothing where non-profit organizations were able to collect money easily, securely and fast. It was a very costly process. So when I moved back in 2009 that idea stuck with me and I decided to use this opportunity and build a company.Interviewer: Did y our former employee in any way cooperate with you, or did you just do everything from scratch?Nicolas: Actually when I came over I took some of the ideas from this company in the US, but none of their technology. When I started here in Munich I was friends with the founders of Amiando â€" I don’t know if you still know them, they were acquired by XING EVENTS â€" and our initial idea was to build it up like Amiando for charities, because the idea of integrating a tool into a website was very similar to their technology. But pretty quickly we realized we should open a second company for that. However those guys were very supportive, actually our first investors and shareholders are Amiando and the founders themselves. So we did not take any of the technology, but obviously they were very helpful in making the first introductions and in helping us getting the company started. So that means that now a very little portion of us belongs to XING. I don’t know if they know.Interviewer: Let’s talk about the business model of Altruja. Can you briefly explain how it works, who are your customers, and how you are making money?Nicolas: I can actually also tell you how the business model shifted in the past, because that happened three or four time probably. Our clients and our customers are non-profit organization, which means that, by definition, we only work with foundations, clubs, political parties, etc., all those that are eligible and need donations to run their projects. If you think about that, it’s actually quite a big market. In German speaking part of Europe, six to seven billion Euros are donated every year. But only a very small portion of that is donated online, so far like 1% to 2% maybe. Whereas in the US we’re up to 10% to 20%. So that means non-profit organizations waste a lot of money on mail marketing, like postcards. My parents, during Christmas season, get hundreds of postcards from SOS Children’s Village, UNICEF, etc., and 99% of those ge t trashed in the mail. Another way to get donations is people, especially students, on the street asking people to chip in donations, posters and all that stuff, it’s very costly.So our system in the beginning worked like this that we offered them the tools completely for free and charging them a percentage fee of whatever we were raising for the. It was like 9.9%. The result was that some of our clients that were using our tool very efficiently were paying us a lot of money. It was nice for us, but it was a lot of money for them. On the other hand, many of the organizations that were raising very little money were probably causing the same trouble for us for the same work, and maybe if they only raised €50 a month, we were sending invoice for €3.85, something like that.So that means we shifted our model to something where we charge them a software fee, it’s very low, it’s like €59 for the software per month, and included in that is a volume to collect a donation of like €5000. So, in essence, it’s a ‘Software as a Service’, we rent out the software, and if they want we do the payment processing for them. That’s pretty much the business model.Interviewer: Do you have different pricing points, can you tell us about that?Nicolas: Initially we had different prices, we had three different tools, one for raising money with friends, peer-to-peer, the other one was raising money with companies, and the last one was just a simple basic donation form. So we had different prices for them and realized that it was way too complicated, different volumes, different tools, way too complicated. Now we just throw everything together, and the only distinction we make is by the volume that you raise, because we pay all the credit card fees. So hopefully you use a lot of our tools and you raise as much money as possible for the organization, but for us the only thing that makes a difference is how much it is because that’s where our cost structure lies.Int erviewer: Can you tell us about how the product is integrated with the non-profit organizations?Nicolas: It’s actually very simple. You can imagine it’s like integrating a YouTube video into your organization’s website. You get a tool, an HTML code, from us, copy that, paste that into the website, and from a technical perspective that’s it. So we need maybe five minutes of the web admin, that’s it. After that the person who is responsible for fundraising, for the donations, can change the text, the color, the image, the font, it’s as easy as using Windows PC. So that’s very easy.All the payment processing, all the critical part, happens in this frame, in ours, so that means that the charity does not have to worry about data privacy, about credit card safety, about payment processing above other stuff, that happens in our website that is integrated into their website. However, the donor, the person who wants to donate, does not realize any of this. He just realizes, “ Oh, look now the charity has a pretty cool tool on their website.” We are like the good guys in the background, making sure that everything runs smoothly.Interviewer: Does it only work like this that, let us say, integrate this plugin on my website, and then the users that are coming to my website as a non-profit organization just click on it, donate some money, you take care of the payment process etc., I get my money every month or so, and that’s it, or do you also focus on providing some other services and values to the non-profit organizations?Nicolas: The first one was the basic tool, that is the bread and butter, that’s what most organizations need to get started, because getting on the website and making donations that’s the must-have. On top of that, if the organizations want to increase the donations and get more donors to get to their site, that’s when we use our peer-to-peer fundraising tool, as we call it, like you run the marathon and you want to support Amnes ty International. For example, during the Munich Marathon or Vienna Marathon we work with those, you can create your own little page, it can be like ‘Joe Smith runs the Munich Marathon site for Amnesty International’, and you can invite all your friends and say I am running the Marathon, please help me to raise a thousand Euros for Amnesty International. Now all your friends can donate and help you to achieve your goal, and those will be people that probably would have never donated to Amnesty before, but because they’re friends with you they chipped in.For example, we had young woman, she’s 32, she started a campaign for an organization from Hamburg last Friday, and over the weekend, within four days, she raised €7,000 from her friends. So just imagine a young lady, 32 years old, raising €7,000 within four days from people all over the world, because they were friends with her and they wanted to help her achieve her goal. And for a non-profit organization that’s gold, they would have never been able to reach those donors.Interviewer: Let’s talk about corporate strategy. If you’re thinking of Altruja as a service provider for non-profit organizations, what do you need to do in the next years in order to create some competitive advantage over other ways of raising donations?Nicolas: First of all, for us it’s an advantage that nowadays more and more organizations have to go online. Sometime it’s very shocking how little they know in the web space because obviously most donor organizations are bit older, they’re mostly our parents, so until now they did not have to deal with their website. But now we get the feeling that this is changing, they’re really interested in learning more about this.To answer your question, I think this is where we need to step up more, and where we want to step up more is to provide them with the knowledge, because it’s not enough just to give them the software, that’s probably what we did in the beginning, like here’s the software, it’s great, you can use a lot of tools, and they were like, okay, great, but I don’t have a driver’s license to drive this car, like they don’t know what to do with it and how to target new donors online.So now we work with them and help them to be a better online user, how to use social media, how to create an email campaign, how to improve their websites. You would not believe that they have website and you want to give them money, you have to search for like five minutes and then find the IBAN number, then you can write down the IBAN number, that’s it. So we have to help them improve their online strategy, and I think if we’re able to do that then online donations will follow after that.Interviewer: So you are telling me that you’re trying to go to this kind of advising or consulting business and creating some revenue streams there as well?Nicolas: Yes and no. You’re right on the consulting. We have to do that and I believe that probab ly a lot of startups have to do that in the beginning, because of it’s direct cash. If you consult someone you get money right away. And that’s probably good, especially in the beginning, however it’s very hard to scale. So we try to get out of that as much as possible, however we still do it because I guess we need money. But we try to make a lot of those things automatic now. That means setting up an email newsletter that teaches them every week a new thing in social media that is tailored to non-profit organizations. And I think that’s the only way, because up to now we have like 500 hundred originations that we support, from big international organization like Amnesty, to very small local animal shelters, everything from kids to nature and everything. But the only way to scale that is if you do it automatically.Interviewer: If you’re thinking about switching costs, assume that I am a non-profit organization and because I realize that online marketing is important I wan t to use your tool or other tools for creating donations on my website, how do you try to integrate with this non-profit organization so they don’t have an incentive to switch to other providers?Nicolas: Hopefully because we do a very good job. Everything they need, they get from us, hopefully. We have the feeling that money and the price, as long as it is in the same ballpark, is not a reason why they would switch, it’s not for five years more or less. Because they have to trust us with the two most important things that they have, (a) with the money, and (b) with their donor data. We help them to control the data of their donors, so the level of trust has to be really high already. So if we do a good job and don’t violate that â€" which we don’t do â€" there is not really a reason to switch for one tool or another.Interviewer: Did I get it right that non-profit organizations don’t have the data of donors that donate via your online tool?Nicolas: No, no. We just help them , for example we have one IT guy who deals solely with credit cards, with payment security, so that means it would not make sense for an organization, not even a big one, to hire someone who deals with credit card security. But for us it makes sense because he is able to help 500 organization at one point. That means that all the data privacy protection stuff we do for them so that they don’t have to deal with it. Obviously the data is theirs, we just collect it for them.Interviewer: Let’s talk about the market development for the donation. You said one very interesting fact that in Europe most of the non-profit organization raise currently their money via offline sources. Can you tell us a little bit about the donation size in Europe, maybe in Germany, and which trends do you see, and what limitations do we currently have which need to be overcome in order to increase the online donation share?Nicolas: As I said, five to seven billion Euros are donated every year in Germany, Au stria and Switzerland, in this market space. It varies if there is a catastrophe like Haiti or something, then obviously that number goes up. As I said before about last years, I think 1.8% of that money was donated online. So you already get the feeling that, compared to buying flights, books and insurance stuff online, finding your future husband or wife online, all that happens now more and more, donations is very very in the back. So that has to change, or is changing, because the people donating are the ones that are working now in the office with a computer so everything moves to the online space.The average donation online is actually a lot higher, about three times as high as offline. For example, our average donation last year was €87, compared to the average offline donation that we get from the organizations, that was €29. So €29 to €87. And the main reason we think for that is that the average person is not going online for a €5 donation, that was maybe a misco nception in the beginning that young students that are online will chip in €5, it’s not the case, we get every day €500, €1000, €100. When people sit in front of their computer, they want to help, they want to do something, they take up their credit card, and you’re not putting out a credit card for €70 or €50, they do €100 donations.One other thing is that credit card donations are a lot higher than the typical debit donations, and we think maybe because there is a different demographic because not everyone has a credit card. If you have one and you shop online you usually donate a little bit more. Did that answer your question?Interviewer: It answered my question in terms of the current status. I would be interested in what limitations are there. Why are there only 1.8% of the total donations that are online right now?Nicolas: To mains reason, first, because indeed most donors are older, and we cannot convince the 98 year old lady to switch online now if she has never done online banking, if she never bought a flight online, or anything like that, the probability is that I will not convince her. So there will be a shift just by the demographic that will move into the donation demographic in the next couple of years. And that is what happened in the US and the UK and stuff.The other thing is that the clients have to change, they have to adapt to this shift to bring this demographic forward. For example, as I said before, there are websites that are horrible, there are websites that are ten years old and older, and obviously if you have a website like that and you only send out your newsletters via post once every year, why should you get online donations? So organizations have to start collecting email addresses, which sounds logical for all of us, but for many in those organizations â€" and I understand that, there are people that work part-time or as volunteers, they have a regular job, and on the weekend they have to build up an e-mail ne wsletter, which is something new for them â€" it is a hard shift, and that’s where we want to step in and help them to automate that stuff and make the first step towards progress in the modernization of their organization.Interviewer: Nicole, what could be your forecast for the next 20 years, once the current generation that is donating a lot of money and is older is not donating because they’re out of business, but the younger generation are they still donating as much as the current generation, or do you think even more or less?Nicolas: There’s a couple of different approaches to that. First, people tend to donate more once they reach certain age groups. Obviously as a young person you have to pay for your education, bringing up your family, buying your first house, car, whatever. And as soon as that’s settled, people have more spending money, so that’s why they usually spend more when they get older. So I am not afraid that people in five or ten years will donate less. But what will change probably, or is changing already, is how people donate. For example, my parents every year for the past 30 years have donated for the SOS Children’s Villages, automatically every year, the same amount. The change now is that younger people tend to donate more on a project basis. So they see there is a project, I want to help Amnesty International for this project, I want to help Green Peace for this, so people tend to be less loyal for an organization. Also, because of the worldwide web now they’re able to look at new and different projects that appeal more and more to them.There’s more and more organizations coming up every year. For example 20 years ago if you wanted to do something for nature, there was just Green Peace and WWF, and that’s it. Now every gorilla in Indonesia has its own charity on every island probably. So there’s more and more smaller organizations. I think that changes and that will change how people donate. But one of the tools th at we provide is peer-to-peer fundraising tool, I think it helps young people that don’t have as much money, like the woman that I mentioned before, but she still wants to get active and do something, but she has friends and family and her uncle who are now able to donate, so she can do something good without spending thousands of Euros, but she’s still make a lot of difference.Interviewer: Because it’s project based. Can you briefly explain the market development and the market dynamics in terms of the competitors and how they act in the US, for example, because from my understanding the US is quite a big donor market, and maybe how the competitive situation is there and in Europe, and how the dynamics are?Nicolas: You’re absolutely right. In the US last year over €300 billion donated, compared to Germany six or seven billion. So it’s just a big difference. It’s not only because of the size of the market, it’s also because it’s a different culture. They pay less t axes, there’s nothing like church tax, which we have in Germany here, but people donate a lot more on a community basis. You donate for your school, your university, all that stuff, which we don’t have here. That’s why there are a lot more donations over there. That’s one thing.The competitive structure here in Germany is that there are two to three other software providers that do something similar like we do, obviously everyone has their small their niche, but right now we compete maybe for just 1.8% of the market slice. The main competitor that we all share is offline, it’s the postcard, it’s the mailing, it’s the person on the street, that costs a lot more money than raising money online. So I don’t know about them, but we think of our competitors like we all together have to make this slice of the pie a lot bigger, and if we’re able to do that then the market is big enough for all of us. Everyone has their own little features and strengths and weaknesses, but we still think everybody is helping to make the pie bigger.Interviewer: Nicole, we at Entrepreneurial Insights always try to give first-time entrepreneurs some advice so they make less errors. What advice could you give maybe to your best friend or something?Nicolas: I think a lot like sharing is caring, and in this case I think it is a good job that you guys do because there are a lot of mistakes that people can avoid if they don’t do the mistake for the first time. For example, one thing is to share your idea. I don’t believe that it would be a good idea to simply keep my idea secret and not talk to anybody, because if they steal the idea they will make the next Facebook, Skype, eBay, whatever. That’s not going to happen. If your idea is that weak that someone can just take it away because he heard it once, then it’s not a good idea. So we were pretty open about our idea, talked to investors, even to competitors, to clients when we still on PowerPoint structure, because we got a lot of feedback from them. We got a lot of critical feedback, a lot of good feedback, but it helped us a lot to grow the idea. So be open about what you’re trying to build.The second thing I would say is think about money pretty quickly. We had focussed on this in the beginning, and I saw a lot of other founders that were trying to build the product, they were thinking, “I have those €2,500 a month, that will be enough to get the product started and to get some cash flow and then after 12 months I will be profitable and I don’t investors.” It’s probably not going to happen. If it does, good job. But it did not happen for us and we pretty quickly, I think from day one, started to talk to investors, because everything will take longer, it’s just learning from everybody. And we also took those investors very early on to get feedback from them, so afterwards when we talked to them we not new to them. So we even talked to them when we did not want the money. So build ing up this relationship will take some time, but I think you should get started as early as possible.The third thing would be â€" but obviously that depends on the business â€" get the product out as fast as possible. This is again feedback related, because you can sit in your ivory tower and think a lot about what the clients want, just build it as fast and quick and cheap as possible, get it out and get some real feedback, and then you have some things to work into the product. We call it ‘progress not perfection’, that’s one of our mantras. So as long as you move along it doesn’t matter if it’s only 80% right. Obviously with brain surgery that should not be the case.Interviewer: Thank you very much Nicolas. And as Nicolas said, sharing is caring. So what do you do with this video? Thanks.

Identity and Sexuality in Sula A Lacanian Reading - Literature Essay Samples

In Toni Morrison’s novel Sula, the characters’ attitudes towards their sexualities are shaped by their identity-forming processes. Sula and Nel, despite their similarities, have clashing beliefs about sex due to the vastly different female role models they each grew up with. Their beliefs are further influenced by the preexisting race and gender roles of their society, which created a complicated web of rules and double standards that simultaneously sexualize women while also discouraging them from participating in sexual activity. This results in the formation of inconsistent sexual identities for the protagonists of the novel because they identify with characters who are also struggling to navigate the complex and paradoxical concept of female sexuality. This can be proven through a Lacanian reading of the text, as the older characters in the novel act as imagos for their younger counterparts and help them define their societal roles. According to Jacques Lacan’s essay â€Å"The Mirror Stage,† a person begins forming an identity when he or she first looks in a mirror and recognizes the image as a representation of the self. Lacan refers to the mirror stage â€Å"as an identification† or as â€Å"the transformation that takes place in the subject when he assumes an image† (Lacan 2). The â€Å"transformation† that Lacan is referring to is the formation of one’s ego, or sense of self. However, the cardinal mistake that is made during the mirror stage is that the child misrecognizes the image in the mirror, or the imago, as being his- or herself rather than a spectral image. This occurs in the novel when Nel sees herself in the mirror and has a cathartic moment, saying, â€Å"I’m me. I’m not their daughter. I’m not Nel. I’m me. Me† (Morrison 28). This misrecognition becomes the basis for her identity, otherwise known as her personal narrative . She progresses her narrative through misrecognitions because she continues to identify with various people, or imagos, throughout the story. As a result, her personality begins to diverge from Sula’s because identities are influenced by environment and they identity with different characters. However, identification is not always intentional. For example, Nel does not purposely try to imitate Helene. Rather than forming an identity based off of Helene’s, she begins forming identities in relation to other people‒first Sula, and then later, Jude. One of the first instances of Nel changing herself because of another person is when Sula visits her home and â€Å"Nel, who regarded the oppressive neatness of her home with dread, felt comfortable in it with Sula, who loved it† (Morrison 29). Although she is not consciously trying to bend her personality to match Sula’s, she naturally accommodates her in order to connect with her. A more explicit example comes later in the text, when their friendship is described as being â€Å"so close† that â€Å"they themselves had difficulty distinguishing one’s thoughts from the other’s† (Morrison 83). In this way, Nel is more similar to her mother than she realizes. When they are on th e train together and Helene â€Å"smiled dazzlingly and coquettishly at the salmon-colored face of the conductor† (Morrison 21), she indirectly taught Nel to accommodate and satisfy the needs and wants of others. Despite the fact that Nel is humiliated by her mother’s â€Å"foolish smile† and is â€Å"ashamed to sense that these men†¦ were bubbling with a hatred for her mother that had not been there in the beginning but had been born† (Morrison 22), she still echoes this behavior later in her own life. This moment completely alters Nel’s perception of her mother, as the text reads, â€Å"if this tall, proud woman, this woman who was very particular about her friends, who slipped into church with unequaled elegance, who could quell a roustabout with a look, if she were really custard, then there was a chance that Nel was too† (Morrison 22). Nel had never seen her mother sexualized prior to this moment, and it creates a shift in their re lationship because it makes Nel realize that â€Å"she wanted to make certain that no man ever looked at her that way† and that she will be â€Å"on guard‒always† (Morrison 22). However, as seen in her later relationship with Jude, Nel cannot avoid the sexualization and stigma that comes with being a black woman in the same way that her mother could not. Another parallel between the two women can be seen in their relationships with men. Helene’s life is described in simple terms, as Morrison writes she â€Å"loved her house and enjoyed manipulating her daughter and her husband† (Morrison 18). Despite the fact that Nel does not openly admit to manipulating Jude, she relies on him in order to create her own identity, like when â€Å"she didn’t even know she had a neck until Jude remarked on it, or that her smile was anything but the spreading of her lips until he saw it as a small miracle† (Morrison 84). The reliance on Jude to remind h er that she is a whole person is in itself is a manipulation of his being. Unfortunately, Nel is not alone in her predisposition towards creating an identity in relation to others. The society that she is raised in encourages this behavior from women‒ especially black women. This can be seen in the text when Jude’s ideal relationship is explained because â€Å"mostly he wanted someone to care about his hurt, to care very deeply†¦ And if he were to be a man, that someone could no longer be his mother† (Morrison 82). This is not to deny that he loves Nel, but he does intrinsically believe that she is not her own person, but rather a figure in his life meant to complete him. His greatest desire is that â€Å"the two of them together would make one Jude,† (Morrison 83). Nel is a perfect wife for Jude because â€Å"she had no aggression† (Morrison 83) and she rarely disagrees with him, if at all. The relationship that forms between the two of them is not only dysfunctional, it is also very common of the time period. Both m en and women reinforce the belief that women are not complete beings on their own, which can be seen when Eva tells Sula, â€Å"ain’t no woman got no business floatin’ around without no man† (Morrison 92). Furthermore, In Nel’s argument with Sula at the end of the novel, Nel even tells her, â€Å"You can’t do it all. You a woman and a colored woman at that. You can’t act like a man. You can’t be walking around all independent-like, doing whatever you like, taking what you want, leaving what you don’t† (Morrison 142). Her comment proves that she does not rely on others because she truly wants to, but because she believes there is no other way for a black woman to act. Contrarily, Sula rejects the role of a black woman that society imposes onto her. Her attitude towards female sexuality is unconventional, as is her mother Hannah’s. Neither woman gets married, instead entertaining a string of sexual partners over a period of time. In this way, Sula attempts to create her identity like a black man rather than a black woman. She believes that black men are â€Å"the envy of the world,† explaining to Jude, â€Å"everything in the world loves you. White men love you†¦ And white women? They chase you all to every corner of the earth, feel for you under every bed†¦ Colored women worry themselves into bad health just trying to hang onto your cuffs† (Morrison 104). Rather than define her identity through her relations with others, she does the opposite, as the text says â€Å"Sula never competed; she simply helped others define themselves. Other people seemed to turn their volume on and up when Sula was in the room† (Mo rrison 95). Paradoxically, in her sexual relations with men, she does use others to help her understand herself, but unlike Nel, she does not rely on them. Sula â€Å"went to bed with men as frequently as she could† because â€Å"it was the only place where she could find what she was looking for† (Morrison 122), but the men that she sleeps with are almost interchangeable to her, as she often looks up at her partner â€Å"in wonder trying to recall his name† (Morrison 123). Additionally, her dismissal of traditional gender roles can be seen when she asks Nel, â€Å"Is that what I’m supposed to do? Spend my life keeping a man?† (Morrison 143). Similar to her mother Hannah, Sula does not understand the possessive feeling that wives have towards their husbands because she does not define herself through any individual man. Due to the fact that she identified with imagos â€Å"who thought all men available, and selected from among them with a care onl y for their tastes, she was ill prepared for the possessiveness of the one person she felt close to† (Morrison 119). Ultimately, it is Sula’s lack of understanding of the concept of possession that destroys her friendship with Nel. Even though Sula â€Å"knew well enough what other women said and felt, or said they felt,† she believes that â€Å"she and Nel had always seen through them† (Morrison 119). She does not realize that â€Å"marriage, apparently, had changed all that† because she â€Å"had no intimate knowledge of marriage† (Morrison 119). Their disagreement at the end of the novel stems from the different ways in which they define concepts like love, friendship, morality, and womanhood. This can be seen when Nel tells her friend â€Å"You didn’t love me enough to leave him alone†¦ You had to take him away,† to which Sula replies, â€Å"What you mean take him away?† (Morrison 145). Sula does not realize that Nel has possessive feelings towards Jude, and for this reason does not understand why Nel can no longer be with him after h e cheats on her. Furthermore, Sula does not believe that her tendency to disregard social norms makes her a worse person than Nel. When Nel tells Sula, â€Å"I was good to you, Sula, why don’t that matter?† (Morrison 144), she is implying that since she follows rules and cares about people in a traditional way, she is a good person. Sula challenges this notion when she asks her, â€Å"How you know†¦ about who was good. How you know it was you?† (Morrison 146). In this scene, Sula is criticizing the way in which Nel shows love for the people in her life by forming her identity in relation to them. In her relationships with her family as well as with her friends, Nel is able to avoid creating her own identity by putting the needs of everyone else above her own. She believes that caring about a person means accommodating his or her every desire, like when she catches Jude with Sula and does not say anything to him because she â€Å"was worried about you not k nowing that your fly was open and scared too because your eyes looked like the soldiers’ that time on the train when my mother turned to custard† (Morrison 106). Contrarily, Sula exhibits love for people by giving them what they need instead of what they want. This is exemplified by her speech following the line, â€Å"Oh, they’ll love me all right. It will take time, but they’ll love me† (Morrison 145). Sula’s unconventional lifestyle shapes the identities of the rest of the population of the Bottom because everyone strives to be the antithesis of her, believing that she is the embodiment of ‘wrongness.’ This is exemplified by the passage that explains how Sula causes the people of the Bottom â€Å"to cherish their husbands and wives, protect their children, repair their homes and in general band together against the devil in their midst† (Morrison 117-118). On one hand, similar to Helene on the train, Nel embodies the role of a black woman created by men by allowing Jude to openly disrespect her, justifying her own behavior by describing it as kindness. On the other hand, Sula’s unorthodox attitude towards love echoes Eva’s, as both relied on the concept of ‘tough love.’ Works Cited Lacan, Jacques. The Mirror Stage as Formative of the I Function. 1949. PDF. Morrison, Toni. Sula. New York, NY: Plume, 1973. Print.